This post was inspired by an interview I did with Kasper Ramström, singer and beatboxer with Finnish cult group
It was physically and emotionally painful to leave SoJam X.
The 10th Annual SoJam A Cappella Musical Festival will feature an all-star lineup this year, including Pentatonix, Finland’s Fork, The Edge
Finland’s finest, Fork, put out an outstanding live album called “Pink Noise Live” in 2011.
Two questions kept coming to mind while listening to this recent offering from the Finnish foursome known as Fork (Kasper Ramström, Mia Hafrén, Mia Renwall and Jonte Ramsten). First, at what point does the element of production cease to be an enhancement and take its place as an instrument in its own right? And second, as a cappella music continues to innovate and reinvent, is there a point at which electronic enhancement transforms the music into another form of a cappella, or does it morph into… well… accompanied music?