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Written by CASA NewsLink
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Saturday, 22 September 2007 |
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A few weeks ago, I tried to convince a friend to accompany me to an a capella concert at Joe's Pub. Once again, I received the same reaction from this friend that I always get when the term "a capella" is brought up - a mixture of aversion and near terror, followed by the simple explanation, "You know how I feel about a capella."
Cut to Labor Day, when that same friend waited in anticipation with me at Gould Plaza to see the cast of "Spring Awakening." I neglected to mention that first we would be treated to a brief a capella performance. No sooner did the group take to the stage and start belting its brains out than my friend started to bob her head and dance to the music.
Read Issie Lapowsky's article profiling NYU's N'Harmonics here. Be first to comment this article | Add as favorites (39) | Quote this article on your site | Views: 1077 |
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Written by JENNIFER HUFFMAN - The Napa Valley Register
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Tuesday, 29 May 2007 |
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Whether singing "Papa was a Rolling Stone," "Under the Boardwalk," "Dance with Me," or even about chocolate or coffee, an appreciative crowd ate up anything Rockapella dished out this weekend in two packed shows at Napa's Opera House.
Made up of five male singers, Rockapella is part a cappella group and part vocal percussion performance rolled up into an entertaining package of "human music."
Read the full review of Rockapella's show at the Napa Opera House here. Be first to comment this article | Add as favorites (45) | Quote this article on your site | Views: 1989 |
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Written by Marilyn Stasio, Variety.com
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Saturday, 10 March 2007 |
A Dreamlight Theater Company presentation, produced by Chad Hudson, of an a capella musical in two acts with book and lyrics by John Jiler and music by Ray Leslee. Directed by Chip Klose. Music direction, Peter De Mets. Choreography, Jonathan B. Howard.
In the immortal words of Ben Hecht: "Sweetheart, get me a rewrite!" This sui generis a capella musical by Ray Leslee and John Jiler has been around the block (via the Cincinnati Playhouse, St. Louis Rep and other regional venues) and back since it originated at Playwrights Horizons in 1994. But despite a grab bag of melodic songs to deliver its heart-tugging message that making music together can overcome the tribal hostilities in racially divided urban neighborhoods, the amiable "Avenue X" doesn't have the brains (or stomach) to support its sweet soul.
Read the full review here. Be first to comment this article | Add as favorites (40) | Quote this article on your site | Views: 2027 |
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