Reviews: Recordings
CD Review: Tufts Beelzebubs' "Shedding"
Written by Sean Dargie   
Sunday, 08 January 2006

So the ‘Bubs (Tufts Beelzebubs) have this new album, “Shedding”, and here I sit having to write a review for one of the most established and prominent groups in collegiate a cappella history. With that in mind, I’m not really sure what to think about the amazing music on this disc.
 
The ‘Bubs have all the resources that most collegiate groups dream of: performing talent, arranging talent, a hugely active alumni association and a great reputation for live shows and recordings. This reputation is well deserved for pushing the ceiling of what a cappella is capable of higher and higher with each new submission. “Code Red” made lots of waves with what can be done with studio effects, and now the aptly named “Shedding” proves that the same level of wow can be achieved without the gods of plug-ins and Pro Tools. The ‘Bubs chose a repertoire full of stuff that usually serves as a litmus test for a group's quality and credibility and proceeded to serve it up on a silver platter with side dish of, “There! That's how you do that song!”

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CD Review: "Dark Side Of The Moon A Cappella"
Written by David Malkoff   
Thursday, 05 January 2006

“…And if the band you’re in starts playing different tunes”…

It’s not a different tune. And it is a very different band they’re in. Freddie Feldman/Vocomotion Studios and a select group of skilled singers have accomplished what we have all been trying since 1973: found a new way to sing along with some of the greatest instrumentals in recorded history. Their all-a cappella version of Pink Floyd’s opus is an ambitious tribute to a beloved classic album.

Like many before me, I discovered Pink Floyd and “Dark Side” in my late high school and early college years. Somehow, the experiences in a young man’s life at that time are universal. Rodger Waters played on that universal awakening in a message that speaks to anyone who owns a set of earphones. No wonder the album spent about 750 weeks on the charts!

I’ve always been a big fan of covers and remixes. I’m fascinated by hearing someone’s take on the original. So, when “Dark Side of the Moon A Cappella” arrived in my mailbox, I couldn’t wait to see if they could do it. Could they actually pull this off? Here’s how it breaks down song by song:

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CD Review: Vox One's "Pure Imagination"
Written by Sean Dargie   
Saturday, 24 December 2005

One of a cappella’s flagship groups has emerged from retirement boasting this gem from the fabled Lost Caves of Awesome Music.  That’s right, kids; Vox One has a new album called Pure Imagination. 

Let me make this short and sweet…wow.

Ok, let me make this a little longer and sweeter.  These 14 tracks (plus one hidden track) shouldn’t be listened to; they should be dissected, devoured, and digested from every angle.

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Review: House Jacks' "Fitchy & Grikko"
Written by Sean Dargie   
Saturday, 03 December 2005
“Fitchy & Grikko”, The House Jacks latest album, is a mix of the ridiculous and rational; a surreal tongue-in-cheek exploration of sounds and textures. Think “Fear and Loathing in Las Vegas” meets “Barnum and Bailey Circus”.

For those versed in House Jack literature, “Fitchy & Grikko” has the raw energetic sound of “Naked Noise” and the skilled textures and studio glimmer of “Unbroken”. What this means is that there is a feeling of stepping forward and backward at the same time. Songs like “Light of Stars” gave me goosebumps from the twinkling background and the subtle exploration of simple rhythms and harmonies while the use of the syllable “bshh” for a distorted guitar at the beginning of “Take It” made me say, “Huh? Isn’t this beneath them?” Then the album finishes off with a song about “Cereal” singing lines like “milk is good, milk is good food” which made ask, “what just happened?” after the first few listens.

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Review: Martin Carbow's "A Cappella And More"
Written by Robert N Dietz   
Wednesday, 16 November 2005
Just today as I was wrapping up this review, I caught myself humming several of the hooks from Martin Carbow’s "A Cappella and More" to myself a good 15-20 times. I think it’s fair to say that this is a catchy CD. Martin’s songs do nothing if they don’t put you in a good mood and get you tapping your feet. Catchiness and toe-tapping aside, however, the album isn’t without a few problems. While the overall effect was fun, I wasn’t so crazy about some of the more puzzling aspects of Martin’s musical vision.

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