Vocal Percussion - Wes Carroll


Beatboxing vs. Mouthdrumming
Written by Wes Carroll   
Wednesday, 17 January 2007
Q.Manny from New York asks:

Is there a difference between mouthdrumming and beatboxing or are they the same?

A. I’m glad you asked, Manny. That comes up a lot.

I just hopped over to Wikipedia, which told me "Beatboxing is the vocal percussion of hip hop culture and music." I'd agree with that. Okay, so then what's vocal percussion?

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Building A Better Kick Drum
Written by Wes Carroll   
Tuesday, 29 August 2006

Hey Wes,

I'm in a very new a cappella group at my college, and I've been the designated vocal percussionist. I'm far from perfect, but I'm the best we have at the moment, and I suppose the most willing to learn.

My question is about my kick drum. I bought your first DVD (and it was great; the second is on its way), and the kick drum sound you make is different than the one I had come up with on my own. Instead of a "thupp" sound, I make something more akin to a "Pf." Even though that's the classic phonetic snare drum spelling, it's very different, I assure you. The "f" sound is barely there compared to the longer "f" giving the snare drum its, well, snare. I build up a lot of pressure behind my lips and let them explode (in a controlled way) and it produces a sound I really like in terms of volume and not sounding like a human-made sound.

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How Do I Go Pro?
Written by Wes Carroll   
Monday, 03 July 2006
Dear Wes,

What are some ways I can make money with vocal percussion?

Thanks,
Isaac

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Can Women Do Mouthdrumming?
Written by Wes Carroll   
Friday, 19 May 2006
Question: Can women do mouthdrumming?

Great question. The short answer is "of course!"

This question comes up every so often, and I'm going to keep trying to get the message through: there is no physiological way in which I rely on my gender to perform vocal percussion. (Period.  Full stop!)

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On Teaching
Written by Wes Carroll   
Thursday, 09 March 2006

On 3/1/06, Jaycee wrote:

I'm just wondering about your video, can everyone…I mean everyone actually learn exactly how to beat box? Because I assume that only certain people can produce really good sounds…while the others can only try and practice as hard but they just don't have the vocal chords for it. I'm really interested in buying the video but I just don't want to be put down if I don't learn…I have a lot of friends who can beat box and have tried to teach me but failed in most cases.

I responded:

Jaycee-

Of course everyone can learn!  It just takes practice... and a good teacher.  (Not to dis your pals, but just because someone can do it doesn't mean they can teach it.)

Here's an important starting tip: it's more about the patterns than the sounds.  Don't sweat the sounds at first.  Just get the grooves happening.  The sounds will come in time if you practice the right way.

Hope this helps!

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Learning Individual Mic Technique
Written by Wes Carroll   
Friday, 30 December 2005
Q. Ben from MN asks:
Hey Wes, I have been performing for a while, but my percussion experience has only been without a mic. My old group used to gig with mics, but not separate solo and VP mics. I became good at really projecting so I could be heard clearly. Now I'm in a different group and will have a VP mic. It's really hard for me to adjust and tone things down, and I usually clip out the mic because I'm too loud. Any suggestions on the quickest way to adjust? Thanks!

A.
Yikes, tough one, Ben.

But let me start by congratulating you on your new group, and for branching out into a challenging new situation, mic-wise. Way to go!

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Ask Wes: On Buying Equipment
Written by Wes Carroll   
Friday, 02 December 2005
Rode NT-3
Rode NT-3
Q. Russ from Freeport, ME asks:
Our son Nick is a freshman at Syracuse U and is into a cappella and beatboxing. He has asked for a speaker/amp/mic setup that he could use for beat-boxing. Can someone offer some guidance as to what we should look for and where we might find it for a fair price?

A.
Russ,

I get this question frequently, and there isn't a single best answer, because in addition to budget, beatboxing style plays a huge part in sound system component selection. However, here are some guidelines that should help make the problem significantly more manageable.

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How To Do Vocal Percussion Without Amplification
Written by Wes Carroll   
Tuesday, 27 September 2005
Q:
Jake Smith from Wilton, ME asks:
Alright. I have a problem. I've been to one of your sessions, it was the Vermont A Cappella Summit last year; I was in one of the competing high school groups, the Mt. Blue Voices. My director, Dennis Hayes, has based a lot of his own work with us on the House Jacks, and especially in talking with Deke. MY problem is that in - so far - 2 of the songs in our repertoire, I provide vocal percussion. These are the only two songs that use any percussion. We are totally acoustic, which means I have no microphone to aid me. In the song "Fragile", the group is mellow, and I can produce enough volume acoustically. However, in our arrangement of "Telescope Eyes", the group is producing a lot more sound, and with my normal percussion I cannot provide enough sound. What are some different ways to provide a louder acoustical sound? Particularly the snare. Thank you.

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On Recording
Written by Wes Carroll   
Friday, 12 August 2005
Hello, true believers! Wes Carroll here, fresh off the completion of the new House Jacks CD, "Fitchy & Grikko," with another installment for you. I figured today would be a great day to talk about recording, since that's what I've been spending most waking hours doing for what seems like forever now.

So you're ready to make your first recording? Or you've heard about how hard it can be and you're looking for tips to make the process easier? Or maybe you've done it before and you know how frustrating it can be to see your artistic vision melt in a tangle of blown budgets, scheduling mishaps, and technical mistakes. Fear not! I'm here to give you some help. Take my advice to get your album done faster, better, and easier.

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VP And The Studio.....
Written by Wes Carroll   
Thursday, 30 June 2005
Hey howdy hello, and welcome to the very first online edition of the Contemporary A Cappella Newsletter! My column Ask Wes will be continuing in the online edition, interspersed with occasional rants and raves. This time, it's the answer to a letter that came to the Ask Wes editor a few months ago:

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What To Think
Written by Wes Carroll   
Sunday, 19 June 2005
When people ask how I do what I do with The House Jacks, I imagine that they are comparing vocal percussion to any athletic ability: how do you run so fast?  how do you hit the ball so far?  Athletes sometimes answer that question truthfully: I train my body and mind.  It doesn't sound like an interesting answer at first blush, but at least it's honest and direct.  Part of how you learn to run faster is by running a lot.  Another part is managing your diet.  A third part is managing your "mental game" on race day.  The same is true of hitting harder just like it's true of vocal percussion, of course: you practice, you make choices that make it easier for your body to perform (e.g. drink plenty of water and stay fit), and you hone your mental game.  It's the third part of this equation -- the mental game -- that I'd like to focus on in this issue.

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