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Rocky Mountain Harmony Sweepstakes Seeks Participants
Written by Rol Sharette   
Tuesday, 27 December 2005
The 17th annual Rocky Mountain Harmony Sweepstakes A Cappella Festival is scheduled for Denver, CO on March 18, 2006 at Ranum Auditorium. Tickets to the program are available at www.ticktweb.com (search harmony sweepstakes).
 
However, vocal groups who wish to be considered for the festival by our audition panel must submit their applications not later than January 17, 2006.
 
The Rocky Mountain Regional Competition is one of eight contemporary a cappella contests across North America, from which the winners are flown to San Francisco for the May 6 International Finals. For information on the regional competition nearest you, go to www.harmony-sweepstakes.com.

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Last Updated ( Wednesday, 04 January 2006 )
 
CD Review: Vox One's "Pure Imagination"
Written by Sean Dargie   
Saturday, 24 December 2005

One of a cappella’s flagship groups has emerged from retirement boasting this gem from the fabled Lost Caves of Awesome Music.  That’s right, kids; Vox One has a new album called Pure Imagination. 

Let me make this short and sweet…wow.

Ok, let me make this a little longer and sweeter.  These 14 tracks (plus one hidden track) shouldn’t be listened to; they should be dissected, devoured, and digested from every angle.

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Last Updated ( Wednesday, 04 January 2006 )
 
“Where My Girls At?”: Women In A Cappella
Written by Candice Helfand   
Tuesday, 20 December 2005
Toxic Audio
Toxic Audio's Shalisa James

Question: Why is there a lack of female involvement in a cappella outside of a singing capacity?

Who knew (girl group) 702 would be quote-worthy? However, when talking about the role of women in contemporary a cappella, the line seems very appropriate (and we’ll conveniently ignore the fact that the song is about keeping a man, considering the topic matter).

While it is true that women have become more involved in a cappella outside of simply contributing their voices (particularly in regards to arranging), it is still a male-dominated industry. The history/roots of a cappella are based in men’s groups, but then again, that can be said about most things. And women have fought to work their way into everything else (in and out of A Cappella Land). So, why not vocal percussion? Why not CD production? And why are most people so put off by female groups? How many more questions can one ask before it becomes redundant? Oh, nevermind.

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Last Updated ( Tuesday, 27 December 2005 )
 
Johns Hopkins A Cappella Scene Boasts Variety
Written by Lisa Carey / Johns Hopkins News-Letter   
Saturday, 10 December 2005
BALTIMORE, MD -- December is the season of a cappella concerts. This past weekend Vocal Chords and Octopodes preformed to packed houses in Bloomberg, and the Mental Notes and Allnighters are performing Dec. 9 and 10. For a school with little support of the arts the huge participation and audience turnout was impressive. But given the talent of the many a cappella groups on campus, it is no great mystery that Hopkins a cappella has so many avid fans.

Friday night the Vocal Chords entertained the audience with their wide variety of music, ranging from pop to rock to classics. The group conists of fifteen members from all different grades. The group was formed in 1995 and since their inception has released four a cappella albums. Their final performance of the year will be at the Harmony Music Therapy Club on December 10th.

Opening with the powerful Bonnie Raitt classic "Let's Give 'Em Something to Talk About," sung by senior Jess Brandt, the Vocal Chords kicked off the show in good form. The catchy oldies song was a refreshing break from all the pop and rock that a cappella groups usually perform.

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Last Updated ( Monday, 12 December 2005 )
 
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